Wednesday, November 7, 2012

Top 10 of Bond...

By Anant Mathur (November 7, 2012)



No doubt by now you've heard that Skyfall - the 23rd Bond film - is releasing this week. To celebrate this milestone, here are a few of my favourite Bond things...

TOP 10 BOND FILMS:
10. The Living Daylights
09. Moonraker
08. Goldfinger
07. From Russia With Love
06. Tomorrow Never Dies
05. Licence To Kill
04. Casino Royale
03. You Only Live Twice
02. On Her Majesty's Secret Service
01. Dr. No

TOP 10 VILLAINS:
10. Elliot Carver (Tomorrow Never Dies)
09. Renard/Viktor Zokas (The World Is Not Enough)
08. Dominic Greene (Quantum of Solace)
07. Franz Sanchez (Licence To Kill)
06. Francisco Scaramanga (Man with the Golden Gun)
05. Hugo Drax (Moonraker)
04. Dr. Julius No (Dr. No)
03. Emilio Largo (Thunderball)
02. Auric Goldfinger (Goldfinger)
01. Ernst Stavro Blofeld (From Russia with Love, Thunderball, You Only Live Twice, On Her Majesty's Secret Service, Diamonds Are Forever and For Your Eyes Only)

TOP 10 CARS:
10. Sunbeam Alpine (Dr. No)
09. Aston Martin DB5 (Goldeneye)
08. Aston Martin V8 Volante (Licence To Kill)
07. Lotus Esprit Turbo (For Your Eyes Only)
06. Aston Martin Vanquish (Die Another Day)
05. Aston Martin DBS (Casino Royale)
04. BMW Z3 (Goldeneye)
03. Aston Martin DB5 (Goldfinger, Thunderball)
02. BMW Z8 (The World Is Not Enough)
01. Lotus Esprit (The Spy Who Loved Me) 

TOP 10 GADGETS:
10. Fake Fingerprint (Diamonds Are Forever)
09. The 'Felix Lighter' (Live and Let Die)
08. Seiko Quartz watch (The Spy Who Loved Me)
07. TV Watch (Octopussy)
06. Ballpoint Pen (Goldeneye)
05. Microchip implant (Casino Royale)
04. MI6 Profile Touchscreen (Quantum of Solace)
03. Walther PPK/S 9mm short (Skyfall)
02. Signature Camera Gun (Licence To Kill)
01. Walther PPK 7.65mm (Dr. No) 

TOP 10 HENCHMEN:
10. Mr. Osato (You Only Live Twice)
09. Miranda Frost (Die Another Day)
08. May Day (A View To A Kill)
07. Vargas (Thunderball)
06. Irma Bunt (On Her Majesty's Secret Service)
05. Oddjob (Goldfinger)
04. Helga Brandt (You Only Live Twice)
03. Rosa Klebb (From Russia with Love)
02. Nick Nack (Man with the Golden Gun)
01. Jaws (The Spy Who Loved Me, Moonraker)

TOP 10 BOND GIRLS:
10. Xenia Onatopp
09. Holly Goodhead
08. Anya Amasova
07. Plenty O'Toole
06. Pam Bouvier
05. Pussy Galore
04. Sylvia Trench
03. Contessa Teresa di Vicenzo
02. Honey Rider
01. Vesper Lynd


IF YOU ENJOYED THIS, PLEASE VISIT MY POSTS ON: 
50 Years of Bond, James Bond...


© Anant Mathur. All Rights Reserved. 

Sunday, November 4, 2012

50 Years of Bond, James Bond...

By Anant Mathur (November 4, 2012)

This year marks the 50th year of the James Bond-007 film series. The 23rd film in the series, Skyfall, releases this Friday. To better prepare you for Skyfall here are a few secrets and facts you need to know:

-Ian Fleming's first James Bond novel Casino Royale was published in 1953.


-The film that kicked of the James Bond-007 series of films was the Sean Connery starer Dr. No, it was directed by Terence Young who also directed two other Bond films - From Russia With Love and Thunderball.


-Sean Connery left the series after You Only Live Twice (Bond #5). 

-In 1969, George Lazenby took over with Bond #6 - but he decided to leave the series after just 1 film - On Her Majesty's Secret Service. Connery was asked to come back for Diamonds Are Forever because Roger Moore was not available due to his commitment to his TV series The Saint. 

-Roger Moore finally took over from Live and Let Die (Bond #8) and did seven Bond films in total before Timothy Dalton took over for 2 films, followed by Pierce Brosnan (4 films) and Daniel Craig who has done 3 films and signed on to do at least 2 more (at the time of this post).

-Sean Connery was 32 when the first James Bond film Dr. No was Released. Roger Moore is 3 years older than Sean Connery. Moore was 45 when he took over from Connery who was 42 at the time. 

-Roger Moore Played Bond for 12 years - the longest of any actor. He was also the oldest actor to play Bond when he retired from the series at the age of 58.

-George Lazenby was the youngest actor to play James Bond. He was 30 years old when On Her Majesty's Secret Service was released in 1969. Lazenby was also the only actor still in his 20s when shooting of the film began.

-Several editors of the Bond film series also directed a few of the later films. Peter R. Hunt who was the editor for the first 5 Bond films got to direct Bond #6 (On Her Majesty's Secret Service) before he left the series. John Glen was editor of OHMSS and also edited 2 Others before directing Roger Moore in 3 films and Timothy Dalton in both his appearances as Bond. 

-John Glen has directed the most number of Bond films with 5 credits as director.

-James Bond's weapon of choice is the Walther PPK.


-'M' is the head of the Foreign Intelligence wing of Her Majesty's Secret Service.

-Q Branch, The Armorer Division of HMSS, has long been a position of pride for its head, who goes by the codename of Q.

-James Bond was once married to Contessa Teresa di Vicenzo.


-SPECTRE (SPecial Executive for Counter-intelligence, Terrorism, Revenge and Extortion) is a fictional global terrorist organization featured in the James Bond series.


-Quantum is a fictional criminal organization, featured as the antagonists in the James Bond films Casino Royale, and its sequel, Quantum of Solace. Quantum filled in for SMERSH from the Casino Royale novel, and subsequently became a sort of successor or revision to both SMERSH from the early novels and SPECTRE from the early years of the film series.

-Ernst Stavro Blofeld is a supervillain from the James Bond series. Blofeld is head of the global criminal organisation SPECTRE and is commonly referred to as Number 1, an official numerical position given to members of SPECTRE. Blofeld appears or is heard in 6 films.

-Miss Moneypenny, is secretary to M. Although she has a small part in the films, it is always highlighted by the underscored romantic tension between her and James Bond.


-Felix Leiter is an operative for the CIA and Bond's friend. After losing a leg and his hand to a shark attack, Leiter joined the Pinkerton Detective Agency.

-Sylvia Trench was the first "Bond Girl", she was played by Eunice Gayson and appeared in the first two Bond films. 

-Maud Adams is the only actress to appear three times in the Bond film series. She played Andrea Anders in The Man with the Golden Gun
, then she was Octavia Charlotte Smythe in the film Octopussy and had a cameo as an extra in Roger Moore's last Bond film, A View to a Kill.



LIST OF BOND GIRLS: 
Sylvia Trench, Honey Rider, Tatiana Romanova, Pussy Galore, Jill Masterton, Domino Vitali, Kissy Suzuki, Contessa Teresa di Vicenzo, Tiffany Case, Plenty O'Toole, Solitaire, Mary Goodnight, Andrea Anders, Anya Amasova, Holly Goodhead, Melina Havelock, Octopussy, Stacey Sutton, Kara Milovy, Pam Bouvier, Lupe Lamora, Natalya Simonova, Xenia Onatopp, Paris Carver, Wai Lin, Christmas Jones, Elektra King, Jinx, Solange Dimitrios, Vesper Lynd, Camille Montes, Strawberry Fields and Sévérine.

To truly understand the character of James Bond in film, On Her Majesty's Secret Service is a crucial film in the series, and thus, should not be watched until the first 5 films have been seen and no other Bond film in the series should be watched until OHMSS has been seen. It has many secrets and revelations that help you understand the transformation of Bond from Connery to Lazeby to Moore and the rest.


IF YOU ENJOYED THIS, PLEASE VISIT MY POSTS ON: 
Top 10 of Bond...


© Anant Mathur. All Rights Reserved.

Sunday, October 28, 2012

Mass vs. Class

By Anant Mathur (October 28, 2012)

Many times films are released and put into a mass or class category by reviewers, producers, distributors and/or trade analysts. So, what is the difference between a class and mass film and why does it matter?

Well, for starters a mass film is basically a film that appeals to everyone from the lower classes, to children, to women. Lower classes, children and women tend to be more impressionable than the upper more educated class of people. Therefore, mass films tend to be less intellectual and more comedic in their senses and approach. Take for example films like Dabangg, Housefull and Sholay, these are clearly - leave your brain at home and come be entertained for two hours - type mass entertainers. Usually, mass films have catchy dialogue and memorable songs which the audience can recite repeatedly.

A class film on the other hand tends to deal with a specific type of topic for a relatively smaller audience, sometimes even a niche audience, as compared to a mass film. At times the subject of these films may only appeal to women or to the highly educated and more influential upper class. Mass films may also be made by a smaller production house than a class film which usually has a mega budget and reaches a much larger audience.

So, why does it matter if a film is a class film or a mass film? Well, it may not matter to the audience but it does make a huge difference to the distributor and producer. You see, when a class film is released it's on a much bigger scale than a class film. 

Because the audience is many folds larger the distributor needs to know exactly how many screens to release the film on in order to recover their cost as quickly as possible. It makes a huge difference to the distributor if he's releasing the film on 200 screens or 2500 screens. If a distributor is releasing a film on 2500 screens his advertising has to be much more aggressive than for a film releasing on 200 screens, this also increases his advertising budget. These costs are the primary reason why films are divided into these segments.

© Anant Mathur. All Rights Reserved.

Monday, October 22, 2012

Yash Chopra - Jab Tak Thi Jaan...

By Anant Mathur (October 22, 2012)  

It is unfortunate for film fans that Yash Chopra, the king of romance, will not be around to witness the spectacular release of his final directorial venture Jab Tak Hai Jaan. Sadly, Mr. Chopra passed away yesterday, due to dengue, just weeks before the release of his final film.

It was less than a month ago that he celebrated his 80th birthday and announced his retirement from film direction. In his 53 year career, Yash Chopra has given us many memorable films most of which were huge box office successes. He directed 22 films in all including box office smashers like Dhool Ka Phool, Waqt, Deewaar, Veer-Zaara, Silsila, Dil To Pagal Hai, Darr, Kabhi Kabhie, Chandni and Kaala Patthar.

Shortly after finding success as a director, Yash Chopra started his own production house Yash Raj Films (YRF), and began producing some of the most loved Bollywood films. Most of us grew up watching YRF films and only have to look in our own lives to see their influence. 

By the early 1990s, there were many Indians residing in cities outside of India, known as NRIs, the children of these Indians had been growing up without any cultural influence or family values. It wasn't until the mid 1990s when films like Hum Aapke Hain Kaun and Yash Chopra's Dilwale Dulhaniya Le Jayenge woke this generation of Indians to embrace their culture and values through their stories. Shortly after Dil To Pagal Hai was released it brought a Bollywood dance craze to cities where NRIs resided - Shiamak Davar's name was synonymous with every NRI household - so much so that soon his Shiamak Davar Institute of Performing Arts (SDIPA) dance schools started to open in these cities across the world. 

Today, you can't go into a city where NRIs reside without noticing how involved these indians are in their community, culture and activities related to Bollywood, such was the influence of this man we knew as Yash Chopra.

It was due largely to his faith that the next generation of Indian directors, writers and actors got their big breaks starting with his son Aditya Chopra and the would-be blockbuster Dilwale Dulhaniya Le Jayenge. He continued to mentor young talent like Shahrukh Khan, Kajol, Karan Johar, Shiamak Davar, Nikhil Advani, Sanjay Gadhvi, Shaad Ali, Siddharth Anand, Kunal Kohli, Kabir Khan, Maneesh Sharma and Farah Khan, who in turn gave a chance to many of the current crop of directors and producers in Bollywood, but it was "Yash Uncle" who started them along the path of their success. I'm positive the current generation will agree with me when I say that he was a man who not only gave them a chance but taught them how to survive in the big bad world that is Bollywood.

Yash Chopra was the last surviving filmmaker of his generation, with his passing we also lose ties to the forefathers who began what is know worldwide as Bollywood. His loss will forever be felt by those who make films and those who love to watch them...

© Anant Mathur. All Rights Reserved.

Saturday, October 13, 2012

"I Can Sue..."

By Anant Mathur (October 13, 2012)  

Since I don't have too much time to write this week, I'm going to keep this post short.

"I Can Sue..." is a line of dialogue spoken by the late great actress Jean Hagen in arguably the best movie musical to come out of Hollywood... Singin' In The Rain. 

Of course, in the film she says the line because she is unhappy with some publicity, but imagine if we could sue a movie producer or studio for making a bad film. People sue for all sorts of ridiculous reasons these days from spilling a hot cup of coffee on themselves, to suing a casino for making them gamble, to suing a dry cleaner for $67 million because he lost a pair of pants.

So the next time we watch a movie that wasted our time we should be able to sue a producer or studio to at least get our money back? Doesn't that make sense, why throw good money after bad when no one is willing to make good films in Bollywood. I mean watching films is not cheap, especially for a common man living in India. A family may have to spend more than Rs. 1,000 in order to watch a film and that doesn't include the price of pop corn or soft drinks. If a producer really believed in how good his film is, he would volunteer to give their money back if patrons don't enjoy the movie. But that would be in a perfect world.

It may sound like a good idea but the reason no one will ever succeed in suing for a bad film is because it's a service. It's very easy to sue for a faulty product but very difficult to sue for a faulty service. Imagine if we could though...

© Anant Mathur. All Rights Reserved.

Thursday, October 4, 2012

Politically Incorrect!

By Anant Mathur (October 04, 2012)

You know all the political correctness that's been going on for the last few decades is really starting to ruin the enjoyment of life. I have nothing against the ideologies and beliefs of others, I say "live and let live", but at some point all this political correctness has to stop. You can't say anything these day (even as a joke) without fear of being sued, arrested or punched out or laughed at and ridiculed (as done so to celebrities and athletes in social media). Whatever happened to Freedom of Speech?

We can't go around changing everything just so every last person on the planet agrees with it - that's how dictatorships start. Everyone needs to stop being a clone of each other and be their own person and doing that involves a lot of political incorrectness. How come "vertically challenged" is acceptable and calling some one "short" is not, you're still being labelled - "vertically challenged" sounds much worst to me than "short"? You can call someone a "Heavy set man or woman" but you can't call them fat? "Heavy set" sound humongous - how can that be acceptable and a 3 letter word is not. Labels have always been around and always will be, you can either take them seriously or be mentally strong and know who you're as a person and not worry about what others think. What's the point of having a dictionary if we can no longer say half the words that are in it?

There's a film from 1963 called Shock Corridor in which they say the "N" word countless number of times. Now today, no one would dare say that word out loud (unless it was an African American gang member) but in many old films the word exists, does this mean we need to delete scenes from all the old movies so that no one is offended. How can we do that, it's a part of history, deleting unfortunate situations from history is not the solution. Instead it would give a false sense of being. What will we tell future generations when we speak about our history, are we going to tell them what happened but keep all the details out? Are we not going to tell them about how the Jewish people were tormented by the Nazi and sent to concentration camps with a number on their arms, do we keep those details out, so they never know about the camps or numbers?

About a year and a half ago, the 1985 Dire Straits hit Money For Nothing was banned from Canadian Radio. The decision was reached after one listener complained to St. John's radio station CHOZ-FM due to the song's use of the word "faggot," finding it to be discriminatory to gays. Seriously, one guy had a problem with it and they banned it for the whole country, I'm so glad we live a democratic society. Of course, the decision was reversed several months later after being reviewed by the Canadian Broadcast Standards, but the point is why was some idiot able to get it banned in the first place. What's next they're going to ask Sir Paul McCartney to change the lyrics of Hey Jude to Hey Dude?

If gay people want rights, including, the right to get married there's nothing wrong with that, but instead of changing Christianity start your own religion and get the politicians to support it. When Sikhism was established in India they had their own religious beliefs and their own Sikh Gurus, their own wedding rituals, they didn't change the Hindu religion or Gurus and Gods to be a part of their beliefs. The Sikhs who do believe in the Hindu religion don't argue that Rama, Krishna or Shiva, etc. are Sikhs, so why are African Americans so adamant on changing Jesus into a black person - start your own religion and have a black god - oh wait they already have that in Africa, duh! African Americans are loosing their culture and religion by conforming to the religion and beliefs of the white man. They have to stop trying to be white and accept their own traditions, values, literature & gods - it all exists.

And of course, political correctness has made its way into the entertainment medium too - in the upcoming Superman film "MAN OF STEEL" the Daily Planet's editor, Perry White, who has been a white male since the comics first started is going to be played by an African American actor - "Hello!", even his name is White? I have no issues with an African American being the editor of the Daily Planet but why does he have to be called Perry White why can't they create a new character. Same thing happened in the Cinderella storyline on the Once Upon a time TV series - the fairy godmother is suddenly black. Why can't they have African American stories for African Americans - why do they have to change the stories that have been a part of history. The upcoming TV show Elementary is about Sherlock Holmes except there's a twist, the part of his assistant (Dr. Watson) is being played by a woman and not just a woman but an actress of Chinese descent - I'd love to hear their explanation for why she's named Dr. Watson if she's of Chinese descent - I'm certain Sir Arthur Conan Doyle is spinning in his grave. Would it not have made more sense to kill off Watson and make her Holmes' new assistant, especially since the story now takes place in New York City. Here's a thought... Dr. Watson is murdered and Holmes ends up in New York while trying to figure out who killed him. Here's hoping this show is a big flop and gets cancelled after 3 episodes and we never have to hear of it again.

In the new Ultimate Comics: Spider-Man, Marvel decided to change with the times and have an African American as Spider-Man, but instead of making Peter Parker a black person, they killed him off and came up with a new African American character (Miles Morales) who is now Spider-Man. That's how it should be. You shouldn't be able to mess with character origins, Bruce Wayne cannot be African American, but there could be an African American Batman as long as his alter ego is someone else and not Bruce Wayne. You don't hear the French, the Indians or the Russians saying that Bruce Wayne is French, Hindu or Russian. Let him be white and enjoy the story. Thankfully when they do Indianise a white character he does become an Indian character, like in the short lived Spider-Man: India comic, Peter Parker became a dhoti wearing villager named Pavitr Prabhakar.

Like it or not the white man had the foresight to envision the infrastructure we have in most of the free world today. The industrial revolution, the internet superhighway, cars, aircrafts, television, radio, submarines, ships, coca cola, Christmas, Valentine's Day, etc. - were all dreamed up by white men and along the way they've been able to keep their culture and religion going strong whether it's through books, television, singers, dancers, comedians, radio or comic books, etc.

Indians, African Americans, Chinese, etc., we are brilliant yes, but we haven't done anything that has inspired others to copy us. Instead of mimicking them we should learn from them and apply the same to our own culture before it's too contaminated by the west and lost forever. You don't see the white man migrating to India or China and telling them to change their characters in books or films (I don't think at any time Devdas has been a white male) or Malcolm X and Martin Luther King Jr. have been played by white actors.

Even when a white actor has played an African American character they've done so with black make-up on their face, they haven't changed the character to a white person. So, why then when we as minorities reach North America or Europe do we expect the white man to change his culture and beliefs to reflect our ethnicity. We are privileged that we have the opportunity to better ourselves and provide for future generation in the west, but let us not get ridiculous. The only way to stay Indian, African American, or Chinese is to practice our beliefs and traditions copying the west or changing characters in their stories to reflect our minorities isn't going to help any culture.

I guess it will be difficult to change the minds of billions of people to not be so consumed by the west or to be politically incorrect especially with politicians on the political correctness band wagon (because it helps them win elections when they support the African American, Indian, Hispanic, Chinese or the gay communities), but hopefully here's a start.

© Anant Mathur. All Rights Reserved.


DISCLAIMER: The above post is meant for entertainment purposes only; readers shouldn't take it seriously or interpret it as advice.

Wednesday, September 26, 2012

Top Ten Movie Themes

By Anant Mathur (September 26, 2012)
Music is the soul of any film when you hear a great musical score it lifts the film to another level and lingers in your memory long after you leave the cinema hall. Over the years there have been many wonderful themes to come out of films, below is a list of my 10 favourite movie themes:

10. Gone With The Wind (Tara's Theme) 
To this day Gone With The Wind is the most watched film on the Big Screen based on the number of tickets sold.

9. How The West Was Won
How The West Was Won was such a big film that it required 3 amazing Directors to make it.

8. Doctor Zhivago (Lara's Theme)
Based on a Russian novel, Doctor Zhivago was a massive hit when it was first released.

7. Terminator 2
My favourite effects movie T2 is still untouchable when it come to VFX and it was all done without CGI - the good old days.

6. Star Wars
George Lucas is a genius, he started the Star Wars saga with episode 4 and decades later he made episodes 1-3 as prequels.

5. Jaws
When Jaws was first released people were afraid of going into the water thanks mostly to its suspenseful theme.

4. James Bond
The theme from James Bond is as memorable as its popular phrases.

3. Indiana Jones
Although George Lucas didn't direct any of them, he was the brains behind the 4 Indiana Jones films. 

2. Love Story
This is one of my favourite romantic films, although most of the film uses orchestral compositions for the score, there are times in Love Story where you only hear a piano - no other instruments are used by composer Francis Lai the effect is fantastic.

1. Superman
The theme of Superman is so powerful it makes you believe that a man can fly. 

© Anant Mathur. All Rights Reserved.

Tuesday, September 18, 2012

Who's The Biggest Star Of Them All...

By Anant Mathur (September 18, 2012)


Here is an interesting fact... At the time of this post, the top 10 Highest Grossing Bollywood Films all belonged to the 100 crore or more club and below is a list of how much revenue (in percentage) has be been generated by the lead actors who star in them.

5) Shahrukh Khan (1 film in top 10) - 8.0%
4) Hrithik Roshan (1 film in top 10) - 8.6%
3) Akshay Kumar (2 films in top 10) - 17.0%
2) Aamir Khan (2 films in top 10) - 22.4%

And the biggest box office star (with a record 4 films that have grossed more than 100 crores) in India is... Surprise Surprise...

1) Salman Khan (4 films in top 10) - 44%

© Anant Mathur. All Rights Reserved.

Saturday, September 15, 2012

Ek Tha Tiger Week 3 and 4 Collections!

By Anant Mathur (September 15, 2012)


As Ek Tha Tiger approaches Rs. 200 crores it will be interesting to see how many weeks it will take to break the record of Rs. 202 Crores set by 3 Idiots and take over the #1 spot in the Highest Grossing Bollywood Films list.

Below are the details of the Third and Fourth week collections of Ek Tha Tiger:

Week 1
Total (9 Days): 154.21 Crores*

Week 2 

Total (16 Days): 30.62 Crores

Week 3
Friday (Day 17): 1.24 Crores
Saturday (Day 18): 2.11 Crores
Sunday (Day 19): 3.16 Crores
Monday (Day 20): 0.88 Crores
Tuesday (Day 21): 0.87 Crores
Wednesday (Day 22): 1.04 Crores
Thursday (Day 23): 0.71 Crores
Week 3 Total (23 Days): 10.01 Crores

Week 4
Friday (Day 24): 0.42 Crores
Saturday (Day 25): 0.77 Crores
Sunday (Day 26): 1.12 Crores
Monday (Day 27): 0.35 Crores
Tuesday (Day 28): 0.31 Crores
Wednesday (Day 29): 0.30 Crores
Thursday (Day 30): 0.28 Crores
Week 4 Total (30 Days): 3.55 Crores


Total: 198.39 Crores (after 4 Weeks)

* For Details of the 1st Week Collections of Ek Tha Tiger please see my post titled "Ek Tha Tiger Second Highest Grosses!"

* For Details of the 2nd Week Collections of Ek Tha Tiger please see my post titled "Week 2 Collections of Ek Tha Tiger!"
 
© Anant Mathur. All Rights Reserved.

Friday, September 7, 2012

10 Must See Bollywood Films!

By Anant Mathur (September 07, 2012)

10. DILWALE DULHANIA LE JAYENGE (1995) - The most loved romantic film in the history of Indian cinema deserves to be on this list just for that reason alone, but thankfully it's not the only reason. At the time of it's release Kajol and Shahrukh Khan were virtual unknowns. It was a time when films succeeded based on content and not star power. 

Most of the 20 somethings of today are probably too young remember the era when the film was released, but in 1995 Dilwale Dulhania Le Jayenge was the highest grossing film of the year and went on to break the record for highest grossing bollywood film. 

Shahrukh Khan and Kajol would emerge as one of the most beloved on-screen pairs for the next 15 years. Every film they have done together has been a box office success internationally (By every film I mean films in which they were both the lead and not movies where they may have had a guest appearance).

09. MAHAL (1949) - The directorial debut of Kamal Amrohi proved to be a big smash. 

Starring Ashok Kumar and Madhubala it was a groundbreaking supernatural suspense thriller and the first (and possibly the best) Bollywood film to deal with reincarnation. 

The hugely popular song Aayega Aanewala, sung by Lata Mangeshkar (one of her first major hits), was used beautifully throughout the film. 

Believe it or not legendary Bimal Roy was actually one of the editors of Mahal. With talent like this it was obvious Bollywood was headed in the right direction.

08. PYAASA (1957) - In 2005, Time Magazine rated Guru Dutt's Pyaasa as one of the top 100 films of all time. In 2011, Time magazine declared it as one of the top 10 romantic movies of all time. 

Waheeda Rehman finally got her big break in Bollywood and after Pyaasa there was no turning back for her. 

Everything about this film is so well done that I don't know anyone who doesn't like it. From the songs to cinematography to direction to action to story and lyrics, etc. etc. 

Starting with the first scene where Guru Dutt is laying next to a lake right through to the last scene you're engaged in the story completely. It's poetry in motion.

07. READY (2011) - I have watched Ready at least 10 times and it still entertains me, any film that can do that must be special. 

Not only does it have a good star cast but their on-screen chemistry takes this movie to another level. 

Everyone has played their role according to what the character is and no one has gone over the top - as they tend to do in Bollywood movies. 

The story is simple and what unfolds is a hilarious romantic comedy that forces you to say... it was worth every paisa and then some.

06. 3 IDIOTS (2009) - At the time of this post 3 Idiots was still the highest grossing Bollywood film ever. A title I'm sure all its fans will agree it deserves. 

At 44 years of age Aamir Khan was playing an 18 year old college student and he pulled it off with uncanny charm, grace and panache. 

It's not too difficult for an actor to play an 80 year old man when he's in his 20s, 30s, 40s or 50s, but the true talent of any actor is visible when he can do what Aamir Khan did in 3 Idiots, i.e., play a younger character especially one who is less than half his age without prosthetic makeup.

05. MUGHAL-E-AZAM (1960) - The most expensive Bollywood film of its time, it became the highest grossing Indian film soon after its release (breaking the record set by Mother India in 1957) and held the title for 15 years until it was broken by the #2 movie on this list in 1975. 

It took 9 years to complete Mughal-E-Azam but the end result speaks for itself. It also set the record for the highest distribution fee received by any Bollywood film at that time. 

Released in 150 theatres it was the widest cinematic release for a Bollywood film until then. 

In 2004, It was the first film to be fully restored in colour for a theatrical release and again achieved commercial success when it was released.

04. CHUPKE CHUPKE (1975) - Possibly the funniest Bollywood film ever made, with an all-star cast which showcases what on-screen chemistry and timing are all about. 

Each character is so well etched that they remain in your memory long after the film is over. The dialogue leave you wanting more and you find yourself repeating it out loud. 

Brilliantly written, directed and acted, I highly recommend this film to anyone who hasn't seen it. Once in a while you get a film which truly deserves the title of classic, Chupke Chupke is that diamond in the rough.

03. GUIDE (1965) - Based on the critically acclaimed novel, The Guide, by one of India's greatest English language novelists, R. K. Narayan, is highly regarded as one of the masterpieces of Bollywood. 

The song Piya Toh Se from Guide is probably my favourite Hindi song in terms of composition. 

There are several other films on this list which I would put ahead of Guide as my favourite, but this list is about must see movies not favourites and thus Guide is at number three because it's an essential film for any lover of the craft.

02. SHOLAY (1975) - No list is complete without this film. If you haven't seen it yet you're one of the few Indians who hasn't and I suggest you run not walk to the nearest store to get a copy. 

Sholay broke the highest grossing film record when it was first released, a record held for 15 years by Mughal-E-Azam and was held by Sholay for almost 20 years. 

1975 might have been the greatest year Bollywood has ever had in terms of content and Sholay led the way. Although it had a poor start, it picked up from the 3rd week onwards - thanks to word of mouth - and was the first Indian film to celebrate a silver jubilee (25 consecutive weeks) at more than 100 cinemas across India.

01. KAAGAZ KE PHOOL (1959) - Actor/Director/Producer Guru Dutt gave his heart and soul to the making of this film. Although it was a major flop when it was first released - and discouraged Guru Dutt from ever directing again - today, it is considered amongst one of the best films to come out of India. 

Guru Dutt was one of the few directors who was ahead of his time and that's especially visible in Kaagaz Ke Phool arguably his greatest film. Guru Dutt was a master when it came to lighting a black and white film Kaagaz Ke Phool is worth watching for a lesson in cinematography and lighting techiniques alone. How one wishes this film was a hit because we truly missed out on what other wonderful films the multi-talented Guru Dutt would've directed for us had this one been a success.

© Anant Mathur. All Rights Reserved.

Friday, August 31, 2012

Week 2 Collections of Ek Tha Tiger!

By Anant Mathur (August 31, 2012)


Well, we can't really end August without knowing the second week collections of Ek Tha Tiger now can we? As expected Ek Tha Tiger had a substantial fall after the phenomenal first week which shattered most records.

Below are the results of the second week collections of Ek Tha Tiger:

Week 1
Total (9 Days): 154.21 Crores*

Week 2
Friday (Day 10): 4.55 Crores
Saturday (Day 11): 7.01 Crores
Sunday (Day 12): 9.18 Crores
Monday (Day 13): 2.92 Crores
Tuesday (Day 14): 2.60 Crores
Wednesday (Day 15): 2.39 Crores
Thursday (Day 16): 1.97 Crores
Week 2 Total: 30.62 Crores

Total: 184.83 Crores (after 2 Weeks)

* For Details of the 1st Week Collections of Ek Tha Tiger please see my post titled "Ek Tha Tiger Second Highest Grosses!"
 
© Anant Mathur. All Rights Reserved.

Friday, August 24, 2012

Ek Tha Tiger Second Highest Grosses!

By Anant Mathur (August 24, 2012)

The first week collection of EK THA TIGER are earth shattering to say the least. Ek Tha Tiger has became the second highest grosser after collecting Rs. 154.21 Crores in just the first week of release demolishing several records along the way. Ek Tha Tiger has raked in almost twice as much moolah as 3 Idiots managed in it's first week. It took Dabangg 10 days to collect 106 Crores and break the 100 Crores mark. Bodyguard manage 121 crores in its 9 day extended first week and 3 idiot generated 116 crores in its first two weeks. Ek Tha Tiger has already beaten the total collections of Dabangg (147 Crores) and Bodyguard (148 Crores) which dropped to the number 3 and 4 positions in Nett Box Office Collections (NBOC). Ek Tha Tiger is well on its way to reaching the 202 Crores NBOC record held by 3 Idiots and becoming the highest grossing film in history. Looks like it'll be Salman not beloved Shahrukh who rescues Yash Raj Films from their inevitable demise.

Below are the collections for the first (extended 9 days) week of release:

Wednesday: 32.93 Crores
Thursday: 14.50 Crores
Friday: 12.92 Crores
Saturday: 16.75 Crores
Sunday: 23.06 Crores
Monday: 20.68 Crores
Tuesday: 16.31 Crores
Wednesday: 10.45 Crores
Thursday: 6.61 Crores
Total: 154.21 Crores

© Anant Mathur. All Rights Reserved.

Monday, August 20, 2012

Salman Khan: King of B.O.

By Anant Mathur (August 20, 2012)

The B.O. in this case refers to Box Office and not body odour. Salman's latest flick Ek Tha Tiger has crushed the opening day box office record set by Agneepath earlier this year when it earned approx. Rs. 22 crore nett on its opening day (breaking the Rs. 21.25 crore mark previously held by Salman Khan's Bodyguard). In fact, at 32.93 crores in nett collection on Opening Day, Ek Tha Tiger has earned almost 50% more than Agneepath. And it looks like EK Tha Tiger is well on its way to shattering the 1st week collections record held by... you'll never guess... Salman Khan! ...Bodyguard had an opening week (9 day extended week) of Rs. 100.15 crores. Ek Tha Tiger has already become the first film in Bollywood history to reach Rs. 100 crores in nett collection in its first weekend - in only 5 days - the previous record was 9 days.

Ek Tha Tiger had a phenomenal 5 day weekend although there were some dips on Thursday and Friday due to the fact that it's the last few days of the fasting period before Eid. The film held its ground and recovered magnificently from the dips on Saturday and Sunday.

Looks like Yash Raj Films is well on its way to recovering the money it has lost in the last 10 years after a series of flops, thanks again to Salman Khan. It seems whenever a production house is doing poorly they need Salman Khan to bring them back to contention.

Here is a breakdown of the extended 5 day weekend collections of Ek Tha Tiger:

Wed - Rs. 32.93 Crores
Thu - Rs. 14.50 Crores
Fri - Rs. 12.92 Crores
Sat - Rs. 16.75 Crores
Sun - Rs. 23.00 Crores
Total - Rs. 100.10 Crores

© Anant Mathur. All Rights Reserved.

Monday, August 13, 2012

Young Legends!

By Anant Mathur (August 13, 2012)

Sometimes in life we get a chance to experience voices which are truly very special and touch our heart instantly, today I would like to tell you about two such individuals. You may have heard of them but if you haven't you really should give them a listen. Selena and Israel Kamakawiwo'ole both had fabulous voices, unfortunately, we lost these great artists at a young age, but they'll live on forever through their wonderful music.



Selena, as she was poplarly know, was an American singer-songwriter. At the 1987 Tejano Music Awards, Selena won Best Female Vocalist. In 1988, she met Chris Pérez, who had his own band. Two years later, the Quintanilla family hired him to play in Selena's band and they quickly fell in love. On April 2, 1992, Selena and Pérez were married. In 1990 the album, Ven Conmigo was the first Tejano album recorded by a female artist to achieve gold status. Around this time, a registered nurse and fan named Yolanda Saldívar approached Selena's father with the idea of starting a fan club. Her wish was granted and she became the club's president. In 1992, Selena’s stardom got a big boost with the song, "Como La Flor" off a new album, Entre a Mi Mundo. The next album, Selena Live! won Best Mexican-American Album at the 36th Grammy Awards.

The album Amor Prohibido was released in 1994. It was nominated for a Grammy award for Mexican-American Album of the Year. Billboard's Premio Lo Nuestro awarded them six awards, including Best Latin Artist and Song of the Year for "Como La Flor". Meanwhile, her duet with the Barrio Boyzz, "Donde Quiera Que Estés", reached number one in the Billboard Latin Charts. By fall of 1994, Amor Prohibido was a commercial success in Mexico and made four number one Latin hits, replacing Gloria Estefan's Mi Tierra on the chart's number one spot. It sold over 400,000 copies by late 1994 in the U.S. and another 50,000 copies in Mexico, reaching gold status. Aside from music, she began designing and manufacturing a clothing line in 1994 and opened two boutiques called Selena Etc.

At the peak of her career, Selena visited local schools to talk to students about the importance of education. She also donated her time to civic organizations such as D.A.R.E. These demonstrations of community involvement won her loyalty from her fan base. Selena scheduled her English album for release in the summer of 1995.

On the morning of March 31, 1995, Selena was murdered at the age of 23 by Yolanda Saldívar, the president of her fan club. In early 1995, the Quintanillas discovered that Saldívar was embezzling money from the fan club, and they decided to fire her. When Selena confronted her, Saldívar drew a gun from her purse and shot her once in her right shoulder, severing an artery. Selena died in a hospital from loss of blood. Selena's murder had widespread impacts. Major networks interrupted their regular programming to break the news; Tom Brokaw referred to Selena as "The Mexican Madonna". Her funeral drew 60,000 mourners, many of whom traveled from outside the United States. People magazine published a commemorative issue in honor of Selena's memory and musical career, titled Selena 1971–1995, Her Life in Pictures.  

Selena was inducted into the "Latin Music Hall of Fame" in 1995. That summer, Selena's album Dreaming of You, a combination of Spanish-language songs and new English-language tracks, debuted at number one on the U.S. Billboard 200, making her the first Hispanic singer to accomplish this feat. and the second highest debut after Michael Jackson's HIStory. On its release date, the album sold over 175,000 copies, a record for a female pop singer, and it sold two million copies in its first year. Songs such as "I Could Fall in Love" and "Dreaming of You" were played widely by mainstream English-language radio, with the latter reaching number 21 on the Billboard Hot 100. Meanwhile, "I Could Fall in Love", while ineligible for the Hot 100 at the time, reached number 8 on the Hot 100 Airplay chart and the top 10 on the Adult Contemporary Chart. "Dreaming of You" was certified 35× Platinum (Latin field) by the Recording Industry Association of America. In October 1995, a Houston jury convicted Saldívar of first degree murder and sentenced her to life in prison.

In 1997, Warner Bros. produced Selena, a film based on her life starring Jennifer Lopez. Selena's life was also the basis of the musical Selena Forever starring Veronica Vazquez as Selena. In June 2006, Selena was commemorated with a life-sized bronze statue in Corpus Christi, Texas and a Selena museum opened there. She has sold over 60 million albums worldwide.


Kamakawiwoʻole was a Hawaiian musician who died just as he was getting popular outside of Hawaii. His album Facing Future was released in 1993. His medley of "Over the Rainbow" and "What a Wonderful World" was subsequently featured in several films, television programs, and television advertisement commercials (including the popular romantic comedy "50 First Dates"). Through his ukulele playing and incorporation of other genres like jazz and reggae, Kamakawiwoʻole's music remains a very strong influence in Hawaiian music.

Kamakawiwoʻole's first solo album "Ka ʻAnoʻi", released in 1990, won awards for Contemporary Album of the Year and Male Vocalist of the Year from the Hawaiʻi Academy of Recording Arts (HARA). His second album Facing Future featured his most popular song, the medley "Somewhere Over the Rainbow/What a Wonderful World", along with "Hawaiʻi 78", "White Sandy Beach of Hawaiʻi", "Maui Hawaiian Sup'pa Man", and "Kaulana Kawaihae". Facing Future debuted at #25 on Billboard magazine's Top Pop Catalogue chart. 

On October 26, 2005, Facing Future became Hawaii's first certified platinum album, selling more than a million CDs in the United States. Facing Future was followed by 2 more albums E Ala E (1995) which featured the political title song "ʻE Ala ʻE" and "Kaleohano", and N Dis Life (1996) featured "In This Life" and "Starting All Over Again". In 1997, Kamakawiwoʻole was again honored by HARA at the Annual Nā Hōkū Hanohano awards for Male Vocalist of the Year, Favorite Entertainer of the Year, Album of the Year, and Island Contemporary Album of the Year. His fifth and final album Alone in Iz World was released in 2001, 4 years after his death in 1997. The album debuted at #1 on Billboard's World Chart and charted on several other Billboard’s album charts including and #135 on Billboard's Top 200, #13 on the Top Independent Albums Chart, and #15 on the Top Internet Album Sales charts.

Throughout his life, Kamakawiwoʻole was obese and at one point weighed 757 pounds (343 kgs) standing 6-foot-2-inch (1.88 m) tall. He endured several hospitalizations because of problems caused by his obesity. Beset with respiratory and other medical problems, he died in Queen's Medical Center on June 26, 1997. The Hawaii state flag flew at half-staff on July 10, 1997, the day of Kamakawiwoʻole's funeral. Approximately ten thousand people attended the funeral.

© Anant Mathur. All Rights Reserved.